Techno Inovation

Techno Inovation
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Sunday, February 6, 2011

Surge in Asian investors buying new build properties in central London, report indicates

Asian Investors are now buying more than a fifth of all central London new build properties, and account for almost half of all investment purchases in central London, a new report shows.
  
The revival of international investment demand for new build property has been one of the most remarkable features of the residential property market over the past 18 months, according to Liam Bailey, head of residential research at Knight Frank.
 
While the market has returned to life, after it pretty much shutdown in 2008, current international investment demand is almost totally concentrated on London and is primarily coming from Asia, the report shows.
 
Of the 7,595 new build properties completed in the 12 months to March 2010, 41% of these were bought by investors rather than owner occupiers. Some 49% were bought by Asians of which 11% were from China or Hong Kong, 10% from Singapore and 7% from Malaysia. Some 36% of new build properties were purchased by UK investors.
 
Knight Frank estimates that over the last 12 months the total volume of Asian investment has totalled £761million and the weaker pound has created a compelling buying opportunity for Asian investors.
 
Bailey explained that overseas purchasers buy property in the UK for a number of reasons but in almost all cases they are looking for a secure return on their investment. ‘The interaction of currency movements, strong capital price growth and, more recently, rising rents, have created an attractive investment case for many investors considering central London property,’ he said.
 
‘Despite prices rising by 22% in the 14 months up to the end of May 2010, effective prices in central London were still 32% lower compared to their peak March 2008 level for a purchaser looking to buy in Hong Kong dollars as a result of currency movements. Asian buyers have also benefited from the wealth created from strong Asian price growth. Similar savings have been delivered to Singapore, Malaysian and European buyers,’ he added.
 
Also rents in London have been rising since June last year and high demand has meant lower void periods for buy to let buyers and the London rental market is regarded as secure.
 
‘As Asian domestic markets show their own signs of difficulties, Chinese buyers in particular are keen to spread their exposure and invest in markets they regard as more secure than their own if they can get through the regulatory minefield and release the funds. In mainland China, local investors have become more nervous about keeping money in their own country after outstanding credit rose by 30% and at least seven Chinese cities saw their new home prices surge more than 50% over the 12 months to March 2010. The Chinese have built a reputation as strong savers and investors, the relentless rise in domestic property prices since house ownership was legalised in 1998 has encouraged a strong belief in bricks and mortar investments,’ explained Bailey.
 
Asian investors are also buying properties for their children studying in London. ‘We cannot underestimate the role of UK education in encouraging inward investment into London. Over the past decade the number of Asian students studying in UK universities has risen by 175%. The strongest growth comes from Chinese, Indian and Pakistani nationals. In many cases Asian investors look to buy to cover the period of their child’s university duration and then retain as an investment,’ he added.

A good location, close to a tube station, is vital for Asian buyers, according to Sebastian Warner of Knight Frank’s residential investment team.  They also like to purchase near well known landmarks such as St Paul’s Cathedral, The City or the River Thames.
 
‘Asian investors are shrewd, and much more sophisticated in their research than they were just five years ago. They want detailed insight on the market and locality of the property. New build developments prove attractive as they offer high quality security, facilities such as gyms and restaurants, services such as concierges and secure car parking,’ he explained

Wednesday, December 29, 2010

AyRecovery Lite

AyRecovery LiteAyRecovery Lite is a HDD instant recovery program and also a must-have toolkit for every PC owner. It is the easiest solution to restore and recover your system and precious data to working status at startup in seconds. AyRecover Lite can effectively prevent your PC from system crash, virus attack, failed software installation, user error and other problems. If your Windows doesn’t load, just reboot your PC and everything will go back to the way it was. AyRecovery Lite can easily remove PC failures like system problems, IE corruption and so on. It will protect the whole hard disk for you.


The program is available for $29.95, but it will be free for our visitors as a time-limited offer.

Friday, June 18, 2010




Dead Snow(2008)


It has been an odd experience tracking the post-Sundance coverage of Tommy Wirkola's Norwegian zombie picture Dead Snow, with more than one review offering criticisms along the lines of "If you take away the snow and the Nazis then it's just another zombie film." Well, yeah, and if you take away the Force and the space ships then Star Wars is just a film about a whiny kid with daddy issues. Does it really make sense to make a film into something other than what it is so that you can then offer up criticisms for what it's not? No, the question people should be asking is whether Wirkola's film works on its own terms, whether or not it's a good zombie film. And the answer to that is a resounding yes. Dead Snow is easily the best and most entertaining zombie picture since Spanish offering [REC] and just misses making the top five of the past decade.


The setup is simple enough: a group of eight Norwegian medical students are headed to a remote cabin in the mountains for some R&R over their Easter break, seven of them travelling by car while the eighth opts for a lengthy cross country hike. The seven pass the time waiting for their final friend in typical fashion - beer, sledding and flirtation - until tension over her failure to arrive on time begins to creep in and the mood finally tips over the edge thanks to a mysterious stranger who arrives with a local tale of Nazi torture, stolen treasure, and a squad of missing soldiers. Cue the carnage.
Given Wirkola's resume - his previous film was a broadly slapstick parody of Quentin Tarantino's Kill Bill - and the marketing materials the expectation was that Dead Snow would play as a horror comedy with an emphasis on the comedy but this proves - pleasingly - not to be the case. Yes, there is comedy throughout and the film aims far more for entertainment value than does the oppressively creepy [REC], but the humor is generally very sly. Wirkola is very careful not to break character and to not undercut the horror by making his zombies funny so while some gore moments are sure to draw an appreciative laugh - one disemboweling sequence in particular is sure to get the crowd going - there is never an obvious punchline.
Instead, Wirkola does a surprisingly good job of establishing his characters all of whom - with the exception of the obligatory 'mysterious stranger' - come across as entirely believable, likable people. The character dynamics are nothing overly complex - there is no attempt to make them into anything other than college kids off to spend a weekend getting drunk and, maybe, laid - but he gets them right, very quickly establishing the relationships and distinct quirks of each of his main players. Also very strong are the tech elements of the film - the cinematography, in particular, is gorgeous and showcases the natural environment of the film to great effect.
But what fans really want to know about is the zombies. Yes, there are lots. And, yes, they are Nazis. Gore is plentiful though neither excessive nor of the stomach-churning, tortuous variety. While there are a couple of shots that could have benefitted from a more experienced effects crew the region has made huge strides in this area in recent years and Dead Snow boasts the best physical effects of any genre film to come out of the current Nordic wave by a fairly comfortable margin. Wirkola obviously feels no particular compulsion to follow strict zombie dogma and strays from the standard 'rules' on a few fronts: his creatures move very fast, are entirely conscious and organized, and it's never quite clear whether they are infectious. For that matter, it's not clear what made them into zombies in the first place - all that we know is that they're there and they really, really don't like it when people take their gold.
Dead Snow is not entirely without its hiccups - the finale could be a touch stronger, for one thing - but it is a hugely entertaining film, a big time crowd pleaser that will hopefully be hitting the fest circuit soon. If you get the chance, see this thing on the big screen as it was intended.